Ballet Infantil
Pre Ballet (de 3 a 4 años)
Ballet 1 (de 5 a 8 años)
Ballet 2 (de 8 a 12 años)
Nivel Básico
(a partir de 12 años)
Nivel intermedio
(alumn@s con buena base)
Ballet para adult@s
Elasticidad
Consciencia Corporal
Psicomotricidad
Musicalidad
Dinamismo
Barra
Centro
Saltos
Ballet
Profesora Susanna Gera
Ballet Infantil
Pre Ballet (de 3 a 4 años)
Estas clases van dirigidas a los más peques de la casa. A partir de juegos, les introduciremos en el mundo de la danza e irán ganando elasticidad, conciencia corporal, psicomotricidad, musicalidad y ritmo de la manera más divertida.
Ballet 1 (de 5 a 8 años)
En estas clases introduciremos los pasos básicos del ballet tanto de barra como de centro, intercalándolos con ejercicios de contemporáneo que, además de hacer las clases más amenas, les aporta dinamismo y fluidez en el movimiento.
Ballet 2(de 8 a 12 años)
En este nivel, el alumno ya sigue la estructura completa de una clase de ballet. Realizando ejercicios de barra, centro, saltos…
Nivel Básico
Indicado para los alumnos a partir de 12 años que se inician en el mundo de la danza o alumnos de infantil que quieren seguir aprendiendo.
Nivel Intermedio
Indicado para alumnos que ya tienen buena base de ballet y quieren seguir mejorando.
Ballet Para Adultos
Clases dirigidas a todas aquellas personas que quieran disfrutar de los beneficios de la danza, sin necesidad de tener conocimientos previos. Simplemente porque nos gusta bailar y todos podemos hacerlo.
Celestina Vermeer (1730–1784) was a Dutch-Italian artist and textile designer known for her nature-inspired decorative panels and wallpapers.
Celestina was especially celebrated for her ability to merge fine art and applied design, often painting directly on silk or creating hand-painted wallpapers.
Verkering in Bloei
1763
“Courtship in Bloom” is a stylized, symmetrical portrayal of peacocks surrounded by flowering botanicals in soft, harmonious tones. The pairings of birds face each other in mirrored poses, their bodies elegant and elongated, feathers rendered with meticulous texture and a muted pastel palette. Behind them, a richly patterned backdrop features layered peacock tails and blooming flora, blending natural symbolism with ornamental design.
Isadora Léclaire (1921–1966) was a French modernist painter associated with the Nouvelle Figuration movement in post-war Paris.
Often working with portraiture and symbolism, her paintings explored the inner lives of women through bold colors and stylized realism.
Départ n° 4
1957
“Departure No. 4” is a vivid, symbolic portrait that captures a poised woman standing before a backdrop of bold colors, vintage suitcases, and an exuberant floral mural. The woman’s expression is serene yet unreadable, her direct gaze and carefully styled appearance evoke a mixture of melancholy, independence, and anticipation. The floral panel behind her, echoing the style of folk art or travel posters, may symbolize memories or destinations.
Elias Moreau is a Franco-Canadian digital artist born in 1987 in Montréal, with a background in traditional oil painting and an education in digital arts.
Moreau is known for merging classical techniques with modern digital tools, his works often explore themes of memory, labor, and the quiet dignity.
Mains d’argile
March 2024
«Hands of Clay» is a digital watercolor painting, blending impressionistic detail with vivid emotion. The image captures an elderly potter at work, his weathered hands shaping a vessel with patient care. Around him are an assortment of handmade pots, each with unique textures and hues, symbolizing the variety and depth of human experience. The background is an abstract wash of blues and grays, lending a dreamlike, timeless atmosphere to the scene.
Mariela Virelli is an Italian-Argentine visual artist born in 1992. She studied fine arts before pivoting toward digital and AI-enhanced media in 2020.
Virelli’s signature style blends surrealism, magical realism, and color theory with a futurist edge. She is fascinated by human consciousness.
Las Geometrías del Pensamiento Real
May 2025
«The Geometries of Royal Thought» is a surrealist digital painting. This piece features three regal figures, two men and one woman, crowned and dressed in vividly textured garments of green, blue, and red, each exuding a quiet, enigmatic authority. Suspended in front of their chests are glowing, multicolored cubes, seemingly physical yet ethereal, suggesting the presence of internal worlds, ideas, or emotions rendered as dimensional thought-forms.
